Adam Green: The Dark Side Of Cartooning
story + photographs / Gina Tron "I consider myself a faggot because people have called me that ever since I can remember. In an attempt to reverse this psychic…
story + photographs / Gina Tron "I consider myself a faggot because people have called me that ever since I can remember. In an attempt to reverse this psychic…
THE HUNDRED IN THE HANDS / RED NIGHT Warp Records (2012) review/ LOGAN BRENDT I'm always looking for new music from emerging bands to really strike my fascination. It's not…
reviews/ LOGAN BRENDT SANTIGOLD / MASTER OF MY MAKE-BELIEVE Atlantic Records (2012) Santigold inspires the listener to dance, on Master of My Make-Believe. There's an in your face electronic pop…
story + photos / Ilyse Kaplan In Los Angeles, we are lucky to call bands “our…
story + photos / Ilyse Kaplan With all the “hype bands” these days, it is always interesting to see who will stick around longer than the several months of Pitchfork…
MIIKE SNOW / HAPPY TO YOU Downtown Records/ Universal Republic (2012) review by/ LOGAN BRENDT Happy to You is the second album by Miike Snow, which is comprised of Swedish…
BLEEDING KNEES CLUB / NOTHING TO DO IAMSOUND Records (2012) review by/ LOGAN BRENDT Bleeding Knees Club from Australia lightens the doom of the 2012 landscape with 1960s-ish surf punk…
Review / Heather Seidler Photographs / Jenny Rolapp Fresh (and we mean mere hours fresh) off the release of their sophomore album Reign of Terror, Brooklyn-based duo Sleigh Bells played a…